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Karan Chadda

Global digital marketing and communications leader

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September 12, 2016

FuturePRoof: Edition Two

FuturePRoof: Edition Two

PR as a management discipline

Last week, the second edition of FutureProof was launched at an excellent event hosted by the PRCA. Edited by Sarah Hall, the book contains 39 chapters written by leading communicators. It includes a chapter I wrote on CSR.

The book instantly became an Amazon bestseller within its category. You can download the Kindle version here. You can buy a printed edition here.

If you want to learn more about FuturePRoof, Stephen Waddington has written an excellent post titled ‘A story of two books about public relations – separated ‘by 25 years’. As has Paul Sutton, who describes it as, “call to arms for the PR industry.” Meanwhile you can listen to interviews with some of the authors on the C-Suite Podcast, whose team came down for the launch and spoke to some of the authors.

September 8, 2016

London Design Biennale

A great, international exhibition

Somerset House is currently hosting the first London Design Biennale. Artists from all over the world have contributed work exploring the theme of Utopia by Design. The exhibition fits into Somerset House’s broader theme for 2016: Utopia (this year is the 500th anniversary of the publication of Thomas More’s Utopia).

Thirty-seven nations, spanning six continents have contributed. Their work is varied and thought provoking. Exhibits look at everything from accessible design, visualised data and interactive installations that respond to movement and breathing.

‘Stump of Water’ is a delight.

I was particularly struck by Japan’s contribution. Artist Yasuhiro Suzuki’s installation has great variety. Pieces draw you in, encourage interaction and surprise. Titled ‘A Journey Around the Neighbourhood Globe’ the work looks at the world from various perspectives. The pieces dealing with time and globes are particularly appealing. The piece titled ‘Stump of Water’ is a delight, deeply thoughtful yet with a lightness and joy which is sometimes lacking in conceptual work.

It’s likely that the most talked about work will be Turkey’s ‘The Wish Machine’. A wonderful installation using plastic tubing that runs throughout the West Wing of Somerset House. People write wishes and place them in containers which are fed into the tubes. The wishes are pneumatically sent through the pipework and deposited into the unknown. The work is bold, easy to engage with and had people queuing up to get involved.

I recommend sitting in a corner and watching as others play.

Austria’s ‘LeveL’ is another exceptional work. Essentially a massive mobile, the work responds to movement in the air, just breathing on one of its light pods will see its glow diminish. It is a strong piece of work, that wills you to rush toward it and yet to fully get perspective on it I recommend sitting in a corner and watching as others play.

The London Design Biennale was fun and a great chance to see the work of artists from across the world. It’s on at Somerset House until 27 September. I thoroughly recommend checking it out.

Find out more about it here.

July 8, 2016

#LondonIsOpen

One week after the result of the EU Referendum, Tech London Advocates sent a message of unity to the tech community thanking Europeans based in London for their contribution to the industry’s growth. Signed by over 150 Advocates, including the Mayor of London, the advert championed European ideas and global talent as the driving forces behind London tech.

tla-city-am

June 8, 2016

The problems inherent in brand value

How much is a brand worth? How do you put a value on the phrase “nobody ever got fired for buying IBM” becoming received business wisdom?

That’s the tricky question that firms like Brand Finance, Millward Brown (via the Brandz report), and Interbrand seek to answer. They all begin their calculations in broadly the same way. They look at brand value as a proportion of a company’s market capitalisation. They then apply a range other analysis, normally some form of consumer-related data.

Through their analysis these firms achieve dizzyingly different valuations of brand value. In 2015, for example, Google’s brand was valued at $174bn according to Brandz, whereas Interbrand valued it at $120bn. That’s a $54bn difference. That’s huge. Brand Finance valued Google brand at $76bn, making the difference between the highest and lowest valuations more than the market capitalisation of Nike Inc. This huge variation implies that, at best, only one firm has got brand value right, more likely none have.

There is, however, a deeper problem. There are two key reasons why I believe that using market capitalisation as a starting point hampers these studies.

1. The growth of intangibles

Crudely speaking, the value of a brand is calculated from a corporation’s intangibles – a group of assets that accountants cannot put a fixed financial value on. Typically, this will include things like intellectual property (patents, trademarks, etc.), human capital and goodwill.

Over the past 30 years or so, for publicly listed firms, intangible assets have grown in both absolute value and as a proportion of a company’s value. There are many reasons for this, including the growth of service businesses (which consist mainly of human capital) and the distributed nature of supply chains (Apple, for example, doesn’t own the factory that makes iPhones, so it doesn’t have the tangible capital value of the factory sitting on its financial statements).

The growth of intangible assets has made it harder to assess brand. To properly assess the value of brand, you also have to assess the value of patents, trademarks, human capital, goodwill, and so on. Often, particularly with regard to R&D and patents, the information needed to make firm assessments of value isn’t publicly available.

Accountants recognise this. Just like marketing and communications, integration is the buzzword in financial reporting. There has been a call for, and some movement towards financial reports that disclose more (and more consistent) information about intangible assets and other things that affect a firm’s value. So-called ‘integrated reporting’ should, in theory, help brand valuation firms reach less varied conclusions.

2. Long term value vs. short term value

Brand, as every consultant will tell you, is a long term asset. It’s something to cultivate, build and invest in. It will draw customers towards you, it will differentiate you from your peers, it should outlast your factories and shops and offices.

Brands like Woolworths, stay in the public’s mind long after they have disappeared from the high street. That long-term association is something marketers regularly take advantage of. The resurrection of brands like TSB, Truman’s and Wispa are all excellent examples of brands where the product died before the brand, but the strength of the brand allowed the product to return.

If we’re all agreed on the long term value that brands create, and the need to take a long view on their care, then why are we measuring their value on metrics that receive daily scrutiny and have quarterly reporting? The financial measures upon which brand valuations are currently based are too closely linked to shareholder value that, as the current debate about corporate governance and responsible business show, is a very short term measure.

None of this is to say that the brand valuation firms are charlatans, or that they don’t do very good work. However, the variations in the numbers they come up with, coupled with the opaqueness of intangible asset values and the short termism of shareholder value means that their estimates are destined to fail.

May 17, 2016

Three simple questions to help you get more from your data

The growth of data continues to pose a headache for digital marketers. The range of data sets available is bewildering and contains as many gaps as it does duplication. Growth has brought with it some questionable data gathering techniques.

Poorly scripted survey monkey polls morph from ‘quick and dirty’ research into facts. Google Analytics data is taken as gospel without any effort to remove spam. Data presented at conferences is copied and repurposed without any reference to the source.

It’s terrible that so much data, which informs how we spend a lot of time and money, is poorly gathered and used.

Here are three simple questions to ask to make sure you know you’re working with information you can trust.

What?

It shouldn’t really need saying, but the first step is to ask what data you really have. So many bad decisions are made because people don’t question their data sources. How was it collected? What biases does it have? What can it not tell us?

Let’s be frank, not all data sets are equal. For example, there are opinion polls that seek to genuinely capture public opinion and there are those that are designed to generate headlines. You need to differentiate between the two.

Only when you understand your data can you begin to get information of any value from it.

So what?

Once you’ve got to grips with your data, you then need to ask whether it means anything. Why is it relevant to your business and what you’re trying to achieve? If it’s not useful, dump it.

We’ve all seen the slides showing how many tweets are sent in a second or how many users Facebook has. They’re very impressive, but from a campaign planning perspective, they’re completely useless. Only keep the data that is useful.

Now what?

This is the crucial bit. What can you do with it? Can you repeat the data gathering to provide you with useful information about trends? Has it given you soame insights about your clients that can inform a creative brief? Ultimately, this is the most fun question. Once you have data you understand and is relevant, you can then have fun manipulating, querying and playing with it.

Employing these three simple questions should save you time, money and, crucially, provide you with a better understanding of where your marketing really is.

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